Chamber Music
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for Violoncello and Piano | 14' | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Inspired by Debussy’s Sonata for ‘Cello, the movement titles suggest a scenario in which the two players interact somewhat like actors in a series of scenes. In “Proclamation” the piano clearly opposes the ideas put forward by the cello. the “attaca” 2nd movt., “Repartee” finds them backing off their confrontation, and exchanging somewhat barbed witicisms […] More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for Flute, Cello and Harpsichord | 9' | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Little contemporary music is written for the Harpsichord, so “Andante and Jubilation” for Harpsichord, Flute and Cello is a welcome addition to the available new music. The music is written idiomatically for all three instruments. The result is a sound that achieves a fresh expression of Baroque sensibilities without attempting to copy that period’s idioms. More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for cello and piano | 7'30" | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Green Fire Variations, for cello and piano, is music about the energy within wild things. The title uses words borrowed from writer and conservationist Aldo Leopold: We reached the old wolf in time to watch a fierce green fire dying in her eyes. I realized then, and have known ever since, that there was something […] More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for flute and computer | 4' | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Program Note Prelude No.1 for Flute and Computer is the first in a series of short interactive pieces for solo wind instrument with live computer processing as an accompaniment. The piece was written for friends Dmitri Tymoczko and Elizabeth Camp, as a musical gift for their wedding. Since Dmitri, also a composer, had been formulating […] More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for brass and percussion | 2' 20" | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
FANFARE was commissioned by the Washington International School, the composer’s alma mater and premiered at a gala event celebrating the school’s 40th anniversary in May, 2006. Score and parts included. Instrumentation 3 trumpets 1 trombone 1 bass trombone 1 tuba Timpani (3) Percussion (bass drum, suspended cymbal, snare drum, tambourine, triangle) More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for string quartet | 12' 30" | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Composed in the first half of 2009, City Walks is a 12-minute piece for string quartet in one movement. It is lyrical and macabre, with a fun, adrenaline-soaked extended coda. It was premiered by the Eidolon Quartet in Berkeley, California in May, 2009 and performed subsequently at the San Francisco Airport’s “You Are Hear” festival and […] More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
for string quartet | 10' | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Elegance and Superstition is a piece that was born out of a musical gesture and a guiding principle. The gesture consists of two notes tossed upward, like balls into the air. There is a pause, and they are tossed again, this time a bit higher. The guiding principle is derived from something that composer Eve […] More info & view score » | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||