Piano
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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
for solo piano | 3'20" | “Kate & David” is the main theme of Kurt Kuenne’s score for his documentary “Dear Zachary: a letter to a son about his father”, which chronicled the life and death of his late best friend, Dr. Andrew David Bagby; this theme is meant to encapsulate the enduring love and strength of Andrew’s devoted parents, Kate […] More info & view score » | ||||
for piano trio | 6'15" | Z Dance is a multi-textured movement for piano trio set in a lively, post-modern contrapuntal style. Rhythmic impulse is the focus of this piece, in which the violin, cello and piano each take turns in the foreground, middle ground and background. Composed in 2010 as ballet music, Z Dance is the companion piece to ABC […] More info & view score » | ||||
for piano | 7' | The Sonata for piano (1989) is written as a single movement divided into sections. Andantino – Allegro molto – Meno allegro – Tempo primo – Allegro molto – Meno allegro An introductory Andantino directly leads into an Allegro molto which contains the main theme and the transition to a more quiet secondary theme (Meno allegro). […] More info & view score » | ||||
for soprano saxophone, viola, cello, piano | 9' | |||||
for piano trio(violin, cello, piano) | 5' | Everything is possible in the smallest things. From a single atom the world grew. More info & view score » | ||||
for soprano, clarinet, viola and piano | 9' | Zwei Hülshoff Lieder was commissioned by San Francisco’s LIEDER ALIVE! as part of the organization’s mission to preserve the German lieder tradition through classes, recitals and the creation of new works. It was premiered in San Francisco in January, 2015 by soprano Jessica Wan, joined by clarinetist Natalie Parker, violist Paul Yarbrough and pianist Laura Dahl. The texts […] More info & view score » | ||||
for piano | 20' | A Piano Suite of five pieces that express something of the character and style of ancient dances, without adhering to their classical forms. The prelude establishes harmonic and melodic materials which are utilized throughout the suite. The following four pieces capture a generalized characteristic of their historical namesakes. A nine-tone scale is used in all […] More info & view score » | ||||
for Piano and Small Orchestra | 30' | Cast in the traditional three movements — fast, slow, fast — influence and indebtedness to Bartók is noticeable in the two outer movements. In the meditative slow movement, there are allusions both to Beethoven’s 3rd concerto, with its dialogue-like alternation between soloist and orchestra, and in the main body of the movement, a nod to […] More info & view score » | ||||
for two pianos & percussion | 18' | The two roughly equal-length movements relate to each other by contrast– the first, rather somber; the second more jubilant. Both movements are through-composed, without apparent repetition or recapitulation. However, symmetries and parallels exist between the two. Canons begin movement one, and conclude movement two. Both begin with introductions, followed by a main section which builds […] More info & view score » | ||||
for cello and piano | 7'30" | Green Fire Variations, for cello and piano, is music about the energy within wild things. The title uses words borrowed from writer and conservationist Aldo Leopold: We reached the old wolf in time to watch a fierce green fire dying in her eyes. I realized then, and have known ever since, that there was something […] More info & view score » |