Piano
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Title | View | Instrumentation | Duration | Composer | ||
|---|---|---|---|---|---|---|
thirteen songs for solo piano | 53' 30" | The Whereas songbook is a concept album of thirteen neoclassical pieces for solo piano written in 2011. The songs’ emotive content ranges from nuanced to dramatic, romantic to tragic, introspective to celebratory. All of the songs have clear form and structure; several use compound or unusual meters, and one has a strict left hand ostinato […] More info & view score » | ||||
for solo piano | – | A set of 12 waltzes for the intermediate pianist, inspired by the waltzes of Schubert and Chopin, but with an American twist—featuring original melodies alongside an array of American hymns, Shaker songs, and a creative version of Stephen Foster’s immortal “Gentle Annie.” This collection includes upbeat, energetic pieces as well as soft, tender ones—evoking the […] More info & view score » | ||||
13 songs for solo piano | 49' 25" | The October Wind songbook is a retrospective collection of thirteen pieces for solo piano written between 1981 and 2005. With strong, flowing melodies, tonal/triadic harmonies, and clear form, each song offers a unique journey to a gorgeous landscape of color and emotion. One of the pieces is for right hand alone. The book includes several […] More info & view score » | ||||
for piano | 9'00" | Sonata no. 1 is rather like a dramatic tone poem suggesting a hero’s journey (challenges, striving, uncertainty, searching, inner and outer struggles) — one which ends darkly, but with a glimmer of hope. The structure of this single movement work recalls classical sonata allegro form. Inspired by late 19th and early 20th century tonality, the […] More info & view score » | ||||
for solo piano | 2'30" | “Crime of Passion” is the main theme of the score Kurt Kuenne composed for his friend Jon Bokenkamp’s feature directorial debut Preston Tylk in the late summer of 1999; it received the Dale Melbourne Herklotz Award for Best Score at the 2000 Marco Island Film Festival. In 2016, this solo piano arrangement was featured on […] More info & view score » | ||||
for solo piano | 4'30" | The fifth in the series Leyendas Místicas (Mystic Legends), this moody little tango-milonga fantasy was commissioned by the talented Brighton pianist, Johan de Cock, to be premiered at the 2016 Brighton Fringe Festival. The title refers to one of the most picturesque and moving places in Buenos Aires, the ‘City of the Dead,’ Cementario de […] More info & view score » | ||||
4'00" | Claro de Luna is an Argentine tango-style adaptation of the well-known first movement of Ludwig van Beethoven’s piano sonata no. 14 in C# minor, “Quasi una fantasia”, Op. 27, no. 2, popularly known as the Moonlight Sonata. Dark, bold, and passionate, this adaptation remains true to the original’s harmony, melody, and form. Its edge and […] More info & view score » | |||||
Piano | 5'10" | This quiet contemporary composition is music portraying the quietness that comes as winter begins to lose its icy grip on the land. It is based on a simple, repetitive harmonic progression and clear melody that move through a few key changes and gradually build to a soft section that is like the melting snow. It […] More info & view score » | ||||
for solo piano | 20'30" | My Piano Sonata was written in 2010 and thoroughly revised in 2015. The piece is in four movements: Fantasia, Caprice, Blues, and Toccata Perpetua. The second movement, Caprice, may be played separately as an encore or recital piece. More info & view score » | ||||
for mixed septet | 13'30" | Chiaroscuro was composed in 1991 for the CONVERGENCE Ensemble, a group of dancers and musicians, who gave the first performance at The Painted Bride Gallery in Philadelphia. In the concept of the dance, lighting played a major role, sometimes silhouetting dancers posed like sculptures against a light background, sometimes presenting them brightly against the dark, […] More info & view score » |