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Glenn Hardy

I started piano lessons when I was 4 ½. I studied the traditional piano lesson literature of the time (all classical.) Along the way, at around age 11, I started playing blues and boogie-woogie at my dad's request. He was from Texas, and, being somewhat tired of hearing only classical music, asked me if I would consider playing some Texas music. I’m glad I took his suggestion. Later, during my time at University of the Pacific Conservatory, I began to explore improvisation, jazz, and ragtime.

It took me many years to stop thinking in the genre-specific mindset. When I had occasion to perform, I would always keep different styles of music separated and on different programs. I finally stopped doing that and just started playing whatever I felt like playing. In the beginning, it might have been a little disconcerting for some listeners, since we have all been conditioned to expect music to conform to fairly strict stylistic boundaries. It's less of a problem now, (2015) as more and more people have become accustomed to genre bending and what the industry calls, “crossover.”

I have composed, and sometimes still do compose in the traditional manner. My focus has been on piano, choral, solo vocal, and chamber music. My wife, Maggie, is a poet, and we have collaborated on many projects. We live in Mystic, CT USA, where I continue to teach, compose, and perform.

Music for Solo Voice by Glenn Hardy

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Soprano and organ
Organ
Soprano
Tenor
4' 00"
Sacred song for voice and organ. My setting of Shema Israel. Margaret Tyler, soprano Simon Holt, organ
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Music for Solo Piano by Glenn Hardy

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for solo piano
6' 54"
Slow, new agey meditative piece.
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5' 22"
An easy-going New-Agey piece in my approximation of James Taylor’s guitar style.
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Piano
2' 55"
A moderately difficult piece in typical rondo form.
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6' 19"
This is a flashy motor piece for the more advanced performer. Despite its improvisational quality, it is fairly structured with a recurring motif.
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4' 04"
A fast motor piece, somewhat more “classical” in form and more difficult than Toccata 1. Despite its classical leanings, a couple of boogie-woogie sections found their way into the left hand part.
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3'33"
This is a motor piece of medium difficulty.
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