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David Post

David Post was born in New York City and holds degrees from the University of Chicago, the New School for Social Research and Brandeis University. He started musical training early, studying 'cello with Samuel Reiner and Charles Forbes and composition with Charles Whittenberg and later Ralph Shapey at the University of Chicago. He pursued further study with Larry Bell and Lukas Foss.

His music has received wide exposure on radio and in the concert hall, and his Fourth String Quartet was nominated for a Pulitzer Prize in music. His orchestral and chamber works have been played and recorded by international organizations including the Czech Radio Symphony Orchestra, the Moravian Philharmonic, the Cambridge Symphony Orchestra and the Salem Philharmonic, among others.

Writing in Fanfare magazine, William Zagorski termed his English Horn Concerto "...a tonal and unabashedly lyrical concerto, resulting in a piece that is able to stand beside Richard Strauss's and Ralph Vaughan William's essays for oboe and orchestra." Zagorski termed his First String Quartet "a fine work--rigorously constructed and free of gratuitous effects. Here he takes the listener into the realm of intensely human communication."

He has received numerous commissions from groups and individuals, including the Aiolos Collective, the Terezin Music Foundation, the Martinu Quartet, the Fenimore Quartet, the Hawthorne String Quartet and many others.

Post's scores are published by Editions Bim, Switzerland and MMB Music, St. Louis, MO. Naxos Records, MMC Recordings, Turquoise Bee Productions and West Virginia University Sound Recordings, Inc. produce his commercial CDs.

Choral Music by David Post

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for mixed chorus a cappella
DPT-008
SATB
2'20"
English
I have loved this poem for as long as I can remember. It’s crisp, fresh imagery, it’s success in conveying, with a magnificent economy, what a poem is all about, is indeed a small miracle. I could not resist the temptation to set it for chorus. Because the poem had “gestated” for many years, I […]
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for mixed chorus and organ
DPT-007
SATB
5'
English
This piece was commissioned by St. Paul’s Episcopal Church, Natick, Massachusetts for the celebration of its 125th Anniversary. It was premiered there on September 15, 1996. Benjamin Burrell, Director of Music.
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for mixed chorus a cappella
DPT-009
SATB
8'30"
English
“The Day of Light” was commissioned by Mark Ludwig, Director of the Terezin Music Foundation in 2014 as part of a larger project to commemorate the 70th anniversary of the liberation of the concentration camps and the end of World War II in 1945. The text is a setting of the poem “The Day of […]
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Music for Solo Piano by David Post

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for solo piano
20'30"
My Piano Sonata was written in 2010 and thoroughly revised in 2015. The piece is in four movements: Fantasia, Caprice, Blues, and Toccata Perpetua. The second movement, Caprice, may be played separately as an encore or recital piece.
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11'30"
Variations & Fugue on a Bach-Busoni Chorale Prelude is based on Ferruccio Busoni’s transcription of Bach’s “Ich ruf’ zu dir, Herr Jesu Christ” BWV 639 From Das Orgelbuchlein, Part III (1713-17), and is to be played without pause after that piece. The several Busoni transcriptions of the the works of J.S. Bach constitute a musical […]
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Music for other instruments by David Post

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for viola and violoncello
Cello
Viola
14'
My Duo, a virtuoso piece for viola and ‘cello was composed in 2002 for my Boston Symphony Orchestra friends, Mark Ludwig and Sato Knutsen, to showcase their considerable skills. The work had it’s premiere on March 21, 2004 as part of the MusicWorks concert series in Pittsfield, Massachusetts. The price includes two copies.
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for oboe, clarinet in B♭ and bassoon
Bassoon
Clarinet
Oboe
11-12'
I wrote the Divertimento for oboe, clarinet and bassoon in 1995 as an entry in the New England Reed Trio annual composition competition. I had admired the playing of this group and their promotion of wonderful, if rarely heard repertoire of this combination, much of it French. The prospect of writing for reed trio seemed […]
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for viola alone
Viola
7-8'
This set of short pieces was written for my good friend and collaborator, Boston Symphony Orchestra violist Mark Ludwig. In them, I have tried to capture, in purely musical terms, some of the characteristics of the stream of thought; its bends, meanderings, twists and unexpected concatenations. Since all thought is necessarily an individual matter, I […]
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